Sarah Lonsert is a versatile vocalist known for her "angelic voice" and authentic artistry across genres.
Currently, Sarah performs with several acclaimed ensembles, including the L.A. Master Chorale under Grant Gershon, Pacific Chorale under Dr. Robert Istad, Long Beach Camerata Singers under Dr. James K. Bass, and the vibrant team at Voices of Terpsichor, is the Soprano I section Leader at St. Andrew’s Presbyterian Church in Newport, the cantorial soloist for Desert Outreach Synagogue, all while continuing to audition for both Musical Theatre and Opera roles. She continues her vocal studies with Diane Ketchie, refining her craft in both classical and musical theatre.
Sarah has had the honor of recording with John Williams and Steven Spielberg and was part of the Grammy Award-winning choir on Mahler’s Symphony No. 8, conducted by Gustavo Dudamel with the Los Angeles Philharmonic, which won Best Choral Performance in 2022. She has shared the stage with Andrea Bocelli, the L.A. Symphony, and performed internationally in Taipei, Rome, Paris, Germany, Russia (Glinka Cappella), and Estonia (The Rock Church).
About Me
She holds a Bachelor of Music in Vocal Performance from Cal State Fullerton and a Master of Music from Cal State Northridge. Favorite roles include Rose Maurrant (Street Scene), Juliette Understudy (Romeo et Juliette), Fire (L’enfant et les sortilèges), Lois Warner (Breaking Up Is Hard to Do), and the Narrator (Joseph and the Amazing Technicolor Dreamcoat).
What began as a form of therapy for her high-functioning autism blossomed into a lifelong passion for music and performance. Rooted in musical theatre from a young age, Sarah's love for classical music was sparked—serendipitously—through an accidental enrollment in a college Music 101 course. Since then, she has built a dynamic career spanning classical, musical theatre, and pop, with a focus on genuine storytelling and connection through music.
Above all, Sarah is passionate about making music accessible to all. Whether on the concert stage or in an intimate theatre, she believes music—no matter the genre—has the power to connect, heal, and inspire.